CultureMid-12th century

Inlaid Celadon

Goryeo fired pure jade-green celadon in the 11th century and by the mid-12th century invented inlaid celadon, filling carved designs with white and red clay.

Celadon prunus vase with inlaid clouds, cranes, peonies and chrysanthemums — Goryeo, 12th–13th century
Celadon prunus vase with inlaid clouds, cranes, peonies and chrysanthemums — Goryeo, 12th–13th century

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Xu Jing, a Song envoy who visited in 1123, praised the "kingfisher colour" (bisaek) of Goryeo celadon in his Gaoli tujing. By the mid-12th century potters were incising designs and filling them with white and red clay that fired white and black — the same principle as mother-of-pearl lacquer and silver inlay. The maebyeong vase with inlaid cranes and clouds is the classic example.

The main kilns were at Gangjin and Buan in Jeolla. Quality declined after the period of Yuan domination, and celadon gave way to buncheong ware in late Goryeo and early Joseon.

The map in 1150

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States and rulers at the time
Goryeo — Uijong
Places
Gangjin Celadon Kiln Sites

Before and after

Themes that include this event

  • Changes in Korean Ceramics8000 BC – 1900

    From comb-pattern pottery to blue-and-white porcelain — earthenware, Goryeo plain and inlaid celadon, buncheong, white porcelain and blue-and-white