CultureIntercalary fifth month, 1751(Lunar)

Jeong Seon’s Inwang jesaekdo

Jeong Seon painted Mount Inwang as the mist lifts after rain — a masterpiece of “true-view” landscape painting drawn from Korea’s own scenery.

Jeong Seon, Clearing After Rain on Mount Inwang, 1751 (National Museum of Korea)
Jeong Seon, Clearing After Rain on Mount Inwang, 1751 (National Museum of Korea)

Jeong Seon · Public domain · Source

The inscription says Jeong Seon, aged seventy-six, painted it in the last days of the intercalary fifth month of 1751. Rocks swept in dark ink, pine woods and drifting mist are rendered boldly. It is a National Treasure.

Jeong Seon broke away from imaginary landscapes copied from Chinese models to paint scenery he had seen, such as the Diamond Mountains and the hills around Hanyang; Geumgang jeondo (1734) is another masterpiece. Later in the century Gang Se-hwang used Western perspective and shading in his view of Yeongtong valley.

The map in 1751

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States and rulers at the time
Joseon — Yeongjo
Places
Inwangsan

People

  • Jeong Seon (Gyeomjae)1676 – 1759

    creator · Painter who pioneered “true-view” landscapes of Korea’s own scenery; his masterpieces include Inwang jesaekdo and Geumgang jeondo

  • Yeongjo1694 – 1776

    monarch · Twenty-first king of Joseon, known for his impartiality policy and tax reform, and for the death of his son

Before and after

Earlier
1750 Pansori

Themes that include this event

  • The Course of Korean PaintingAD 450 – 1897

    From Goguryeo tomb murals to Jang Seung-eop — daily life and guardian deities, Goryeo Buddhist painting, early Joseon landscapes, true-view landscapes and genre painting, literati and folk painting